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Matthew's avatar

I had a similar experience during my postgraduate studies. In the end, it’s just word games, nothing ever happens. It’s as if the endless invention of new terms, identities, language games, manners were a compensatory mechanism for the objective failure of the socialist movement in the West over the past century. And then there’s also clearly the status-seeking element of the endless privilege-checking, as you note; whole departments of ‘scholars’ essentially competing to see who can say the right words in the right way until someone else trips up and they can stop the pretence of civility.

There’s such a shallowness and paranoia to it all, especially in ‘progressive’ academic departments. Friends and working relationships all depend on whether you have the exact same beliefs as everyone else, and express them in exactly the right way.

I also think a lot of it is essentially identity construction. It's people who really *do nothing* other than passively consume things self-constructing something trying to be tangible. It's the same thing as all the theory nerds on Twitter basically theorycrafting their niche political identity ('Straussian post-anarchist communization' or whatever.) It's just words chasing other words.

I think one of the moments I realised I’d had enough was when, in a bit of an argument over some political issue or another, I said, ‘even if what you say is true, you need to actually convince and persuade people, not scream and yell at them in the hope you’ll cow and shame them into pretending they do.’

And she said, ‘No, I don’t, there’s no argument or debate to be had here. There are people on my side and the rest are bigots.’

What immediately came to mind was Adorno's famous line that, “Intolerance of ambiguity is the mark of an authoritarian personality.”

I realised I really wasn't suited to a world where I had to navigate that sort of shit. Glad I left that life behind me. I can still read the writers who move me, from Adorno to Houellebecq, but on my own terms, now.

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Thomas Parker's avatar

It reminds me of the now (apparently) mandatory practice of an organization confessing that their facility is erected on land stolen from a particular Native American group before they get on with whatever their job is. (I'm thinking of two theater companies here in Southern California. This ceremony was the most performative thing I saw.) What does this do, precisely? Who does it help? I have to say that it inspired nothing but cynical contempt in at least one patron - me. Now, if they had tracked down some descendants of those original Native Americans and given the land back to them, no strings attached... THAT would have impressed me, and I would have felt nothing but admiration, certainly more than I felt for their crappy production of MacBeth.

Also, Young Lord Stancil sounds like a Netflix show.

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